posthuman automated culture recipe 74,0512ezq: “flowers of evil, gumbo variations”
01. glean orphaned objects from the local area
02. sculpt site-responsive vortex of trash from ceiling
03. add billboard tornado, circus, and styrofoam iceberg to taste
04. inhale live surveillance video
05. strain surveillance through lung candy emergency broadcast signal
06. broil materials and people in projection-mapped video broth
07. flavor with anglerfish neon to taste
“Quantitative Easing”, Florida Prize Exhibition, Orlando Museum of Art, 2021
35,000 cubic foot interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs, and custom musical instruments: “Doom Chimes” electrified wind chimes, and “Bharptar”, 15 cross-stringed electric harp/guitar hybrid instrument made out of a found car door.
“Quantitative Easing”, Florida Prize Exhibition, Orlando Museum of Art, 2021
35,000 cubic foot interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs, and custom musical instruments: “Doom Chimes” electrified wind chimes, and “Bharptar”, 15 cross-stringed electric harp/guitar hybrid instrument made out of a found car door.
“Quantitative Easing”, Florida Prize Exhibition, Orlando Museum of Art, 2021
35,000 cubic foot interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs, and custom musical instruments: “Doom Chimes” electrified wind chimes, and “Bharptar”, 15 cross-stringed electric harp/guitar hybrid instrument made out of a found car door.
“Quantitative Easing”, Florida Prize Exhibition, Orlando Museum of Art, 2021
35,000 cubic foot interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs, and custom musical instruments: “Doom Chimes” electrified wind chimes, and “Bharptar”, 15 cross-stringed electric harp/guitar hybrid instrument made out of a found car door.
“Quantitative Easing”, Florida Prize Exhibition, Orlando Museum of Art, 2021
35,000 cubic foot interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs, and custom musical instruments: “Doom Chimes” electrified wind chimes, and “Bharptar”, 15 cross-stringed electric harp/guitar hybrid instrument made out of a found car door.
“MOTHER’S ROOM”, LabSynthE, University of Texas, Dallas, 2022
LIDAR/photogrammetry scan in a virtual environment
“Night Blooms”, The Mattress Factory Museum of Contemporary Art, 2019-20
1,600 square feet, solo interactive video installation.
Materials: salvage styrofoam, neon, scrap metal, soundscape by Negativland.
“Night Blooms”, The Mattress Factory Museum of Contemporary Art, 2019-20
1,600 square feet, solo interactive video installation.
Materials: salvage styrofoam, neon, scrap metal, soundscape by Negativland.
“Test Pattern”, Anna Lamar Switzer Center for the Visual Arts, 2022
45,000 cubic foot interactive solo video installation.
Materials: salvage styrofoam, billboards, neon, painted photographs
“Test Pattern”, Anna Lamar Switzer Center for the Visual Arts, 2022
45,000 cubic foot interactive solo video installation.
Materials: salvage styrofoam, billboards, neon, painted photographs
“Test Pattern”, Anna Lamar Switzer Center for the Visual Arts, 2022
45,000 cubic foot interactive solo video installation.
Materials: salvage styrofoam, billboards, neon, painted photographs
“Test Pattern”, Anna Lamar Switzer Center for the Visual Arts, 2022
45,000 cubic foot interactive solo video installation.
Materials: salvage styrofoam, billboards, neon, painted photographs
“Test Pattern”, Anna Lamar Switzer Center for the Visual Arts, 2022
45,000 cubic foot interactive solo video installation.
Materials: salvage styrofoam, billboards, neon, painted photographs
“Wall”, San Diego Art Institute (now ICA San Diego), 2019
2,000 square feet, solo interactive video installation.
Materials: demolition debris, billboard, neon, security cameras, IR cameras, live-streamed news feed of the border crisis
“Peace Movements”, Palace of Fine Arts San Francisco, 2019
Material: exterior interactive projection-mapped video. Made during the California wildfires in collaboration with Collective Action Studio.
“Peace Movements”, Palace of Fine Arts San Francisco, 2019
Material: exterior interactive projection-mapped video. Made during the California wildfires in collaboration with Collective Action Studio.
“Dear Volunteers” collaborative series with John Schlesinger, studio shots, 2019
Materials: rebar, lab clamps, painted photographs on glass, neon, security camera
“Dear Volunteers” collaborative series with John Schlesinger, studio shots, 2019
Materials: rebar, lab clamps, painted photographs on glass, neon, security camera
“All Tomorrow’s Parties”, Creative Machines (via MOCA Tucson AIR Program), 2019
2,200 square feet, solo interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs
“All Tomorrow’s Parties”, Creative Machines (via MOCA Tucson AIR Program), 2019
2,200 square feet, solo interactive video installation.
Materials: salvage styrofoam, rebar, neon, billboards, kudzu, mealworms, palm fronds, painted photographs
