Living with Wildfire

Suzie McMurtry

A photo of the mycelium sculpture, an off-white cylinder with metal components held up on a steel tripod about 5 feet tall, in situ in a green, grassy field at a former farm.
The mycelium sculpture in situ at a former farm. Photo: Maël Hénaff

Changing winter and summer conditions will increase UK wildfire risk by up to 50% by 2080. We need to [re]adopt a more nuanced mindset around fire to understand that in varied moderation, fire is a vital part of healthy ecosystems. As images of devastatingly orange skies from the most fire-prone areas around the world make loud headlines, this project asks: can we preempt localized wildfire doom in the UK and find hope by bringing preventative and remediating measures out into the open?

Close-up photo of a metal tag on the mycelium sculpture which had engraved on it Pleurotus ostreatus.
Metal tags on the mycelium form identify the mushroom species contained within it. This model reads: Pleurotus ostreatus, or oyster mushroom. Photo: Suzie McMurtry

The form is a mycelium sculpture, adorned with descriptive tags made from thick pieces of lead-free pewter, held up on a steel frame. This mycelium (the interwoven root-like hyphae that make up the majority of fungal organisms’ biomass) is grown on silica-rich substrate to enhance its natural fire-resistance. Inside this protective form is a steel vessel, sealed by a cork that contains billions of dormant spores of oyster mushroom, or Pleurotus ostreatus.

A shiny pewter ring on ashy burnt ground, with clusters of oyster mushrooms surrounding it.
The pewter relic, cast in a fire, shown surrounded by newly growing oyster mushrooms. Photo: Suzie McMurtry

If a wildfire reaches brush piled underneath the frame (gathered from fire prevention forest thinning), steam builds in the vessel, triggering a ‘spore explosion’ that inoculates the surrounding earth and detritus with Pleurotus. The fungi will aid in erosion prevention and begin to break down toxic persistent organic pollutants that are found after fires in partially developed landscapes. The pewter tags melt quickly, flowing into the steel rim below, casting a remembrance of the event.

A close-up studio photo of the mycelium sculpture, an off-white cylinder with metal components, held in a steel tripod.
The mycelium form with its pewter tags. Photo: Suzie McMurtry

As an ecologically attuned art piece and small-scale, decentralised wildfire insurance plan, Living with Wildfire encourages reflection, adaptation and bioremediation, while leaving room for the grief that comes with witnessing a changing bioregion.

A studio photo of the mycelium sculpture, an off-white cylinder with metal components, held in a steel tripod about 5 feet tall.
The mycelium form, in its steel tripod. Photo: Suzie McMurtry
An orange and green risograph-printed leaflet (which reads things like “Reflect. Adapt. Bioremediate. Insure your land with fungus”) that accompanies the sculpture. It’s shown against a backdrop of green herbs and other plants.
This risograph-printed leaflet accompanies the sculpture to describe and contextualize it. Photo: Suzie McMurtry
An orange and green risograph-printed leaflet (which describes the use and context of the sculpture and shows drawings and photos) that accompanies the sculpture. It’s shown against a backdrop of dark soil and red ground-cover succulents.
6. This risograph-printed leaflet accompanies the sculpture to describe and contextualize it. Photo: Suzie McMurtry